Tema: Escrita
A maior parte das mulheres que escrevem as suas memórias, só se pintam em busto
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sábado, julho 18, 2015
Stael, (Madame de)
O amor, que não é mais do que um episódio na vida dos homens, é a história inteira da vida das mulheres
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Mantegazza, Paolo
O amor, para ser perfeito, devia ser como o rotífero: morrer num raio de sol, renascer numa gota de orvalho
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@instabynina's photo
nonconcept: Cabanas no Rio, located in Comporta, Portugal by...
AMAZING! The World’s Most Overgrown Churches – All in One English County!
England is famous for pretty villages and centuries-old churches, and the county of Norfolk has both in abundance. Norfolk has abandoned churches more than any other English county, including many that survived in an abandoned condition before any official efforts were made to preserve their remains.
See some of them below.
Church of St Felix, Babingley
Allegedly the landfall of St Felix of Burgundy who is rumoured to have converted the local kingdom to Christianity around AD 615, the 14th century structure has cemented its place in the folklore of the region and is arguably one of Norfolk’s most important church ruins.
Church of St Remigius, Testerton
St Remigius’ Church, which likely dates to the 11th or 12th centuries, was abandoned by the late 17th century but is said to have been in decline by the medieval period. All that remains today is the western part of the tower, which was constructed more recently than the main church, probably during the 14th century.
Church of All Saints, Gillingham
The Church of All Saints at Gillingham is a wonderfully spooky yet peaceful place, with abandoned tombs that seem to vanish into the forest. Most of the structure was demolished in the 18th century, leaving just the tower standing – and almost entirely hidden beneath decades of foliage.
St Andrews, Bircham Tofts
St Mary’s Church and St John the Baptist Chapel
St Mary’s Church at Fulmodesdon and St John the Baptist Chapel at Croxton were abandoned in 1880 when both parishes merged. Their ruins have since been reborn as a wildlife haven for owls and foxes.
St Mary’s, Appleton
19 Photos Of The Last Surviving Chinese Women With Bound Feet
British photographer Jo Farrell is documenting a tradition that is dying out with China’s oldest women: foot binding.
Su Xi Rong’s feet. Jo Farrell
The process of binding feet (also known as “lotus feet”) started before the arch had a chance to fully develop – somewhere between the ages of 4 and 9.
After soaking in warm herbs and animal blood, the toes would be curled over to the sole of the foot and bound with cotton bandages.
Yang Jinge’s feet. Jo Farrell
The toes and arch would be broken with force. Unbound. Rebound. Rebound tighter. And repeat.
It was considered better to get someone who wasn’t your mum to do it: They were less likely to bind them sympathetically loose.
The tradition is thought to have originated among the upper-class court dancers in Imperial China around the 10th century before spreading to the lower classes.
Zhang Yun Ying, 77 at the time of the photograph (1928–). Jo Farrell
Since it affected their ability to walk, it came to be seen as a sign of wealth – the wealthiest of people didn’t need to walk or work in fields.
Zhang Xiu Ling, 80 (1927–2010). Jo Farrell
There were various attempts to ban the tradition from the 1600s, but it didn’t die out until the early 20th century.
Farrell told, “I asked colleagues if they knew of any women still alive with bound feet and they all said it was highly unlikely.”
“At every opportunity I asked if anyone knew of any old ladies. A driver finally said that he had overheard the conversation and that his grandmother had bound feet. I arranged to go meet his grandmother (Zhang Yun Ying, pictured) in a remote village in Shandong Province.”
“A couple of her friends also had bound feet but they declined to be part of the project.”
Zhang Yun Ying’s feet in lotus shoes. The last factory to make lotus shoes closed in 1999. Jo Farrell
“I got some photographs of them sitting around eating watermelon and chatting. I published the photographs in an exhibition catalogue to coincide with an exhibit I did at Hoopers Gallery in London in 2006.
I sent each of the ladies a copy of the catalogue and when I returned to Shandong Province in 2007, they all said they wanted to be included in the next book.”
“My translator’s grandmother (Su Xi Rong, pictured) also had bound feet and lived 60km away. So I went to her home and she became part of the project too.”
Su Xi Rong, 75. (1933—) Jo Farrell
“I have found women through word of mouth, even by driving past an old lady.”
Su Xi Rong, her husband, and her chicken. Jo Farrell
“I realised she had bound feet and stopped the taxi and ran after to her to ask if I could go home with her and photograph her feet.”
Su Xi Rong’s straw shoes. Jo Farrell
“This generation of women have lived through incredible times: through foot binding, the Cultural Revolution, Japanese invasion, and the Great Famine.”
Liu Shiu Ying (1926–2013) and her husband, 79, in the photo. Jo Farrell
“Once they were praised for the size and shape of their feet.”
Hou Jun Rong, 75, sewing (1932–). Jo Farrell
“But they have also gone through a long period where they were vilified and made to feel ashamed and embarrassed by the very same tradition.”
“The practice of binding feet was not only considered beautiful, it was considered necessary in order to get married and to have a better life.”
“When I ask them if they could go back, whether they would have their feet bound again, the majority of them say no.”
Hou Jun Rong’s feet. Jo Farrell
“But this is largely because as peasant farmers during these harsh times they had to work in the fields rather than be sedentary.”
ang Jinge, 87 (1923–). Jo Farrell
“They always point out, and I believe it is with a sense of pride, that their feet were much smaller.”
“Having had their feet unbound for 50-60 years, their feet have naturally spread. But they achieved/attained the beauty of their society.”
Zhao Hua Hong, 84 (1926–2013). Jo Farrell
“On dozens of occasions, these women bound their own feet as young girls, and were not pressurised into doing it by their mothers or family.”
Zhao Hua Hong’s feet. Jo Farrell
“It was a societal pressure. All the other girls in the village had their feet bound.”
Su Xi Rong’s feet. Jo Farrell